Секретное оружие для careless whisper acapella

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"I know it sounds really weird and a kind of romantic thing to say, but I remember exactly where it happened, where I was sitting on the bus, how I continued and everything.

With 'Careless Whisper' I remember EXACTLY where it first came to me, where I came up with the sax line. I can remember very vaguely where I was when I wrote things after Wham! got off the ground, but with 'Careless Whisper' I remember exactly the time and place.

George Michael had just arrived at the studio and said 'that’s the one, that’s the sax solo I want'. This could be down to that whole 80s synth concept where sounds became increasingly 'manufactured', or just that George never recognized it was 'wrong'."

“Careless Whisper” is one of George Michael’s most iconic songs, released in July 1984 with the instrumental version on the B-side as a second single single from his Wham!

"I have no idea, but it's ironic that this song - which has come to define me in some way - should have been written right at the beginning of my career when I was still so young. I was only 17 and didn't really know much about anything - and certainly nothing much about relationships."

Steve waited and then discovered that the solo wasn’t that easy to play in the written key, as his old Selmer Mark VI tenor didn’t have a top F# key. So, the engineer slowed the tape down so that Steve could record the solo a semitone lower than intended.

The key line, “I’m never gonna dance again, guilty feet have got no rhythm,” conveys the pain and shame of making a mistake that cannot be undone.

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"Once the tape was put back to the normal speed, a 'unnatural' saxophone sound was created that sounded a bit like an Alto in the Paul Desmond vibe, but lacking a bit more depth and darkness to the sound.

Jazz musician Dan Forshaw later revealed that saxophonist Steve Gregory had got a call to re-record the song's sax solo, and he was the 11th saxophone player to record the solo as George wanted to get the sound he hoped for.

He just couldn't play the opening riff the way George wanted it, the way it had been on the demo. But that had been made two years earlier by a friend of George's who lived round the corner and played sax for fun in the pub."

"I was a fat boy in glasses and I had a big crush on her -though I didn't stand a chance. My sister used to go and do what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane.
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Although George Michael co-wrote the song with his Wham! partner Andrew Ridgeley when they were just 17, it stands out as a much more mature and introspective piece than their earlier pop hits.

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